Encipher GAN: An End-to-End Color Image Encryption System Using a Deep Generative Model

Deep Speaker: an End-to-End Neural Speaker Embedding System

We present Deep Speaker, a neural speaker embedding system that maps utterances to a hypersphere where speaker similarity is measured by cosine similarity. The embeddings generated by Deep Speaker can be used for many tasks, including speaker identification, verification, and clustering. We experiment with ResCNN and GRU architectures to extract the acoustic features, then mean pool to produce ...

An End-to-End Goal-Oriented Dialog System with a Generative Natural Language Response Generation

Recently advancements in deep learning allowed the development of endto-end trained goal-oriented dialog systems. Although these systems already achieve good performance, some simplifications limit their usage in real-life scenarios. In this work, we address two of these limitations: ignoring positional information and a fixed number of possible response candidates. We propose to use positional...

Social Authentication for End-to-End Encryption

STEED — Usable End-to-End Encryption

End-to-end e-mail encryption is still ignored by almost all users. The mails are left in the clear in the mailboxes of the web mail providers, where they are frequently collected by attackers and lead to an escalation of the attack due to the sensitivity of the mail content. We suggest a new and simplified infrastructure to protect mail that is compatible with OpenPGP and S/MIME and relies on a...

the aesthetic dimension of howard barkers art: a frankfurtian approach to scenes from an execution and no end of blame

رابطه ی میانِ هنر و شرایطِ اجتماعیِ زایش آن همواره در طولِ تاریخ دغدغه ی ذهنی و دل مشغولیِ اساسیِ منتقدان و نیز هنرمندان بوده است. از آنجا که هنر در قفس آهنیِ زندگیِ اجتماعی محبوس است، گسترش وابستگیِ آن با نهاد ها و اصولِ اجتماعی پیرامون، صرفِ نظر از هم سو بودن و یا غیرِ هم سو بودنِ آن نهاد ها، امری اجتناب ناپذیر به نظر می رسد. با این وجود پدیدار گشتنِ چنین مباحثِ حائز اهمییتی در میان منتقدین، با ظهورِ مکتب ما...